He sends his Grand Vizier to find the man, Assad, but in doing so, he finds Assad's wife with whom he is enchanted. Smoke from Assad's bakery covers the front of the palace, where Al-Rashid loses a game of chess, leading him to want the head of the baker. The poet sees himself in his story as a pie baker, Assad, where he lives with his wife Maimune (played by Olga Belajeff) directly by the walls of the palace where Harun Al-Rashid lives. With his daughter by his side, the poet notices that the arm of Harun al-Rashid is missing and writes a story incorporating the missing arm. The proprietor hires the poet to write a back-story for his wax models of Harun al-Rashid (Jannings), Ivan the Terrible (Veidt), and Jack the Ripper (Krauss) in order to draw an audience to the museum. The 1924 silent film supposedly inspired a 1988 "remake" of sorts, Waxwork, but "any similarity between the two ends there."Ī young nameless poet (Dieterle) enters a wax museum where the proprietor works in the company of his daughter Eva (Olga Belajeff). The film was also known as Three Wax Men. Critic Troy Howarth mentions "Of all the later horror anthologies, it seems to have had the most direct effect on Amicus' Torture Garden (1968), which reused the waxworks motif". The film's format may have influenced later horror anthologies such as the British Dead of Night (1945) and the Italian Black Sabbath (1963) by Mario Bava. Its stories are linked by a plot thread about a writer ( William Dieterle) who accepts a job from a waxworks proprietor to write a series of stories about the exhibits of Caliph of Baghdad (Emil Jannings), Ivan the Terrible (Conrad Veidt) and Jack the Ripper (Werner Krauss) in order to boost business. The film encompasses several genres, including a fantasy adventure, a historical film, and a horror film through its various episodes. Waxworks (German: Das Wachsfigurenkabinett) is a 1924 German silent anthology film directed by Paul Leni.
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